BiblioVault - Books by Cox, James

Mark Twain's Pudd'nhead Wilson

Race, Conflict and Culture

Susan Gillman and Forrest Robinson, eds.

Duke University Press, 1990

This collection seeks to place Pudd’nhead Wilson—a neglected, textually fragmented work of Mark Twain’s—in the context of contemporary critical approaches to literary studies. The editors’ introduction argues the virtues of using Pudd’nhead Wilson as a teaching text, a case study in many of the issues presently occupying literary criticism: issues of history and the uses of history, of canon formation, of textual problematics, and finally of race, class, and gender.

In a variety of ways the essays build arguments out of, not in spite of, the anomalies, inconsistencies, and dead ends in the text itself. Such wrinkles and gaps, the authors find, are the symptoms of an inconclusive, even evasive, but culturally illuminating struggle to confront and resolve difficult questions bearing on race and sex. Such fresh, intellectually enriching perspectives on the novel arise directly from the broad-based interdisciplinary foundations provided by the participating scholars. Drawing on a wide variety of critical methodologies, the essays place the novel in ways that illuminate the world in which it was produced and that further promise to stimulate further study.

Contributors. Michael Cowan, James M. Cox, Susan Gillman, Myra Jehlen, Wilson Carey McWilliams, George E. Marcus, Carolyn Porter, Forrest Robinson, Michael Rogin, John Carlos Rowe, John Schaar, Eric Sundquist

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The Political Arrays of American Indian Literary History

James H. Cox

University of Minnesota Press, 2019

Bringing fresh insight to a century of writing by Native Americans

The Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context.

Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction—by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday—he demonstrates that Native texts resist efforts to be read as advocating a particular set of politics

Meticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.

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Race and Cultural Practice in Popular Culture

Perez, Domino

Rutgers University Press, 2019

Race and Cultural Practice in Popular Culture is an innovative work that freshly approaches the concept of race as a social factor made concrete in popular forms, such as film, television, and music. The essays collectively push past the reaffirmation of static conceptions of identity, authenticity, or conventional interpretations of stereotypes and bridge the intertextual gap between theories of community enactment and cultural representation. The book also draws together and melds otherwise isolated academic theories and methodologies in order to focus on race as an ideological reality and a process that continues to impact lives despite allegations that we live in a post-racial America. The collection is separated into three parts: Visualizing Race (Representational Media), Sounding Race (Soundscape), and Racialization in Place (Theory), each of which considers visual, audio, and geographic sites of racial representations respectively.

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The Red Land to the South

American Indian Writers and Indigenous Mexico

James H. Cox

University of Minnesota Press, 2012

The forty years of American Indian literature taken up by James H. Cox—the decades between 1920 and 1960—have been called politically and intellectually moribund. On the contrary, Cox identifies a group of American Indian writers who share an interest in the revolutionary potential of the indigenous peoples of Mexico—and whose work demonstrates a surprisingly assertive literary politics in the era.

By contextualizing this group of American Indian authors in the work of their contemporaries, Cox reveals how the literary history of this period is far more rich and nuanced than is generally acknowledged. The writers he focuses on—Todd Downing (Choctaw), Lynn Riggs (Cherokee), and D’Arcy McNickle (Confederated Salish and Kootenai)—are shown to be on par with writers of the preceding Progressive and the succeeding Red Power and Native American literary renaissance eras.

Arguing that American Indian literary history of this period actually coheres in exciting ways with the literature of the Native American literary renaissance, Cox repudiates the intellectual and political border that has emerged between the two eras.

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Strangers in Paradise

Impact And Management Of Nonindigenous Species In Florida

Edited by Daniel Simberloff, Don C. Schmitz, and Tom C. Brown; Foreword by Edward O. Wilson

Island Press, 1997

Invasive nonindigenous species -- plants and animals that have been introduced to an ecosystem from someplace else -- are wreaking havoc around the globe. Because they did not co-evolve with species already in the ecosystem, they can profoundly disturb species interactions and ecosystem function.The state of Florida has one of the most severe exotic species problems in the country; as much as a quarter of many taxa in Florida are nonnative, and millions of acres of land and water are dominated by nonindigenous species. Strangers in Paradise provides an in-depth examination of the Florida experience and of the ongoing efforts to eradicate or manage introduced species. Chapters consider: natural disturbance and the spread of nonindigenous species case studies of insects, freshwater invertebrates, fishes, amphibians and reptiles, birds, marine invertebrates and algae, and mammals methods of managing nonindigenous species including ecological restoration, eradication, "maintenance control," and biological control management on public lands the regulatory framework including the role of the federal government as well as state authorities and responsibilities Strangers in Paradise is the first comprehensive volume to address a large, diverse region and the full range of nonindigenous species, the problems they cause, and the methods and impediments to dealing with them. Throughout, contributors emphasize solutions and relate the situation in Florida to problems faced by other states, making the book an important guide for anyone involved with control and management of invasive species.

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